Here at The Edge Art Space we choose to continue evolving as often as is necessary to accommodate the brilliance and genius of the artists, sculptors and musicians who cross our doorstep on an ever increasing basis.

One of the exciting sculptors who has caused a rush of adrenalin for us of late, is the talented John Wright of Sydney.

Johns’ work has morphed over time as he has experimented with different styles and mediums, but his fabulous use of steel, wire and bronze has certainly caught our attention.  

We get enormous pleasure from his resident sculpture ‘Joy’ who graces our outdoor garden space.  ‘Joy’ enriches the lives of our patrons and always brings a smile to the faces of visitors. As the name suggests, she is a giant red kangaroo.

  

John Wright has a skilled eye for the detail that provokes such interest in his work. His fire-engine red kangaroo is at once endearing, profoundly beautiful, yet despite her size, is contained enough to sit comfortably in a residential garden. As with all our exhibits, ‘Joy’ is available for sale through The Edge Art Space (though we will hate losing her), and we would also encourage you to keep abreast of Johns’ latest works by regularly viewing this blog, emailing us or phoning the gallery curator, Gerd Schmid.

John utilizes his keen eye for detail to produce the most magnificent cast bronzes also, and his stunning “Camel Train’ cannot pass without mention. His ‘train’ of progressive camels as they stroll their rusty outback railway track, is one of the most magnificent examples of Australian art this scribe has ever seen.

This beautiful contribution has personally stolen my heart, and is worthy of placement on the wall of any of the globes grandest of homes. It is equally worthy of being included in the corporate collection of any international boardroom.

Likewise his wire camels and the brilliant flying gazelles.

John is understandably awarded and well exhibited, and it is our absolute pleasure to represent him.

A thunderous night in Brooklyn

It was our absolute privilege last night, to attend a performance of The Rhythm Hunters in Brooklyn. I am not often lost for words frankly, but I am having to delve deeply into my vocabulary to find the expressions required to help verbally illustrate to you all, the force of what I witnessed last night.

To clear up any misconceptions firstly, I am talking Brooklyn – Australia, not Brooklyn – The Big Apple. Nonetheless the performance could easily have been transported to The Bushwick Starr venue in Brooklyn – New York with the same rapturous reviews.

For those who have never witnessed the throbbing, primal beat of these percussion geniuses, then rest assured that in their future travels they will undoubtedly reach your international neck of the woods. They are destined for glory globally, and to think I had the pleasure to immerse myself in their rhythm for nearly 4 hours, in a 100 seat venue that oozed intensity, is humbling.

The crescendo reached for the final number was apocalyptic. The pulsating beat of drums from mainly the Pacific Rim, throbbed and grew to biblical proportions as the front line-up of female performers worked the tiniest of the troupes drums to a brilliant finale, backed by the men on drums of all shapes and sizes. The larger drums required 2 men to lift them, and also required what appeared to be superhuman strength & creative manipulation, to belt them.

Backed on vocals by the Rhythm Mummas I still cannot believe the mysterious appeal of this fearless troupe as they broke the silence of Brooklyn (and probably sound barriers too) to present this faultless show.

Gerd Schmid at The Edge Art Space is proud to present his gorgeous building on the Hawkesbury River as a dedicated space for any exposure of artistic merit. It sits exceedingly well as a venue for fringe art and music events, but is fast developing a reputation for showcasing art as a gallery.         

With this performance by the Rhythm Hunters, the Edge Art Space had the courage to bring a show that required multiple performers on stage, to a small 100 seat venue. To be amongst the select few at tiny tables lit with hurricane candles, served with dainty individual boxes of warm fried rice, custom-labeled wine, superb chocolates, and madeira cake felt at once homely, luxurious, romantic, and so very, very, meltingly close.

We will keep you updated via blog of the next exciting event on June 18th. "The Ice-Man"